This study focuses on the songs of "popular" music contained in Eighteenth-century opere buffe and comedies and tries to verify how the composers knew to recreate the effect of "street music" with mandolino, calascione and other popular instruments. From Leonardo Vinci to Giovanni Paisiello.
Tra realismo e psicologismo. La musica popolare nel teatro d’opera del ‘700
Lorenzo Mattei
2013-01-01
Abstract
This study focuses on the songs of "popular" music contained in Eighteenth-century opere buffe and comedies and tries to verify how the composers knew to recreate the effect of "street music" with mandolino, calascione and other popular instruments. From Leonardo Vinci to Giovanni Paisiello.File in questo prodotto:
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