This study focuses on the Giordani's Opere Serie, in particular on Ines de Castro which in many respects anticipates the sensitivity of Romanticism. The innovative musical style, the use of choirs and complex multi-sectional arias are typical elements of a new way of writing drammi per musica. The study examines autograph sources.
Musica e dramma nel ‘dramma per musica’: Ines de Castro (1793) di Giuseppe Giordani
Lorenzo Mattei
2013-01-01
Abstract
This study focuses on the Giordani's Opere Serie, in particular on Ines de Castro which in many respects anticipates the sensitivity of Romanticism. The innovative musical style, the use of choirs and complex multi-sectional arias are typical elements of a new way of writing drammi per musica. The study examines autograph sources.File in questo prodotto:
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