This study focuses on the myth of abandoned heroines and focuses on the way music makes the moment of abandonment. The study gave an opportunity to deepen the problem of the happy ending on the operatic scenes of the mid-Eighteenth Century, musically treated with similar solutions by the composers of the Neapolitan area.
Accoglienza di donne, rifiuto di eroi. Il tòpos dell’abbandono sulla scena lirica del Settecento
Lorenzo Mattei
2014-01-01
Abstract
This study focuses on the myth of abandoned heroines and focuses on the way music makes the moment of abandonment. The study gave an opportunity to deepen the problem of the happy ending on the operatic scenes of the mid-Eighteenth Century, musically treated with similar solutions by the composers of the Neapolitan area.File in questo prodotto:
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