This study examines the opera production of Jommelli in Stuttgart with particular reference to the Didone Abandonata (1763). The autograph of this score allows analyzing the care of Jommelli for the instrumentation that accompanies the gestures of the singers. In this case the music is strictly linked to the action and it develops an innovative language (especially in concertati)
Musica e gestualità nella “Didone abbandonata” (Stoccarda 1763) di Niccolò Jommelli
Lorenzo Mattei
2014-01-01
Abstract
This study examines the opera production of Jommelli in Stuttgart with particular reference to the Didone Abandonata (1763). The autograph of this score allows analyzing the care of Jommelli for the instrumentation that accompanies the gestures of the singers. In this case the music is strictly linked to the action and it develops an innovative language (especially in concertati)File in questo prodotto:
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