Can sound and voice be the driving force of narration in Maylis de Kerangal’s work? And, to say what? This is the question that triggered this study around her works and in particular on the occasion of the publication of Canoës. Connecting the material of her subjects with a language in direct contact with reality, but especially with its sonorities, which also pass through a plurality of voices, this communication questions the way in which the writing of M.d.K. takes hold of this “fréquence” all-time shared that she tries to capture from her literary beginnings.
Sons et voix dans l’écriture de Maylis de Kerangal
Valeria Gramigna
2022-01-01
Abstract
Can sound and voice be the driving force of narration in Maylis de Kerangal’s work? And, to say what? This is the question that triggered this study around her works and in particular on the occasion of the publication of Canoës. Connecting the material of her subjects with a language in direct contact with reality, but especially with its sonorities, which also pass through a plurality of voices, this communication questions the way in which the writing of M.d.K. takes hold of this “fréquence” all-time shared that she tries to capture from her literary beginnings.File in questo prodotto:
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