Cinema e diritto: un confronto impossibile?

The author describes the mutual observation processes that take place between cinema and law. Cinema has represented the law in many of its aspects, it has played a role in guiding public opinion regarding the law, it has contributed to denouncing situations of discrimination and violation of rights. On the other hand, the law has mainly performed a function of normalizing cinematographic works, using both its coercive tools and its incentive tools. The last part of the work describes what has changed in this relationship in the streaming era.