While drawing a line between elitist success and widespread popularity, this essay aims to shine a more objective light on the rise of Scandinavian playwrights on the German and French stage at the end of the 19th century. What transpires is thus a highly complex and variegated picture, characterised by highs and lows, which nonetheless stands out as a particular chapter in the making of the theatrical and cultural identity of the European continent.
L’Europa dei teatri e i barbari scandinavi
Franco Perrelli
2016-01-01
Abstract
While drawing a line between elitist success and widespread popularity, this essay aims to shine a more objective light on the rise of Scandinavian playwrights on the German and French stage at the end of the 19th century. What transpires is thus a highly complex and variegated picture, characterised by highs and lows, which nonetheless stands out as a particular chapter in the making of the theatrical and cultural identity of the European continent.File in questo prodotto:
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