IN PROP. 4,5 THE LENA ACANTHIS APPROPRIATES THE NARRATIVE VOICE AND TALKS WITH DIDACTIC POSTURE; SO SHE VERY CLEARLY MIMICS THE ELEGIAC POET AS PRAECEPTOR AMORIS.INFACT THE BAWD ADDRESSES A SPEECH TO THE BELOVED POET AND GIVES HER INFORMATIONS ON LOVE; BUT HER PRAECEPTA PROVIDE A MODEL OF ANTI-ELEGIAC VALUES DAMAGING POET. BECAUSE OF HER INTERFERENCE IN HIS AFFAIRS, PROPERTIUS CURSES THE BAWD'S TOMB THROUGH THE TWO INTRODUCTORY COUPLETS AND, AFTER DESCRIBING HER MACABRE FUNERAL, THROUGH THE FINAL TWO COUPLETS.STYLISTIC ANALYSIS HELPS US BETTER UNDERSTAND THE ACTUAL REDEMPTION OF THE POET FROM HIS POSITION OF INFERIORITY, WHICH HAS FORCED THE HATED WOMAN
L'IGNOBILE MORTE DELLA LENA E IL RISCATTO DEL POETA OPPRESSO (PROP. 4,5,1-4; 67-78)
DIMUNDO, Rosa Alba
2011-01-01
Abstract
IN PROP. 4,5 THE LENA ACANTHIS APPROPRIATES THE NARRATIVE VOICE AND TALKS WITH DIDACTIC POSTURE; SO SHE VERY CLEARLY MIMICS THE ELEGIAC POET AS PRAECEPTOR AMORIS.INFACT THE BAWD ADDRESSES A SPEECH TO THE BELOVED POET AND GIVES HER INFORMATIONS ON LOVE; BUT HER PRAECEPTA PROVIDE A MODEL OF ANTI-ELEGIAC VALUES DAMAGING POET. BECAUSE OF HER INTERFERENCE IN HIS AFFAIRS, PROPERTIUS CURSES THE BAWD'S TOMB THROUGH THE TWO INTRODUCTORY COUPLETS AND, AFTER DESCRIBING HER MACABRE FUNERAL, THROUGH THE FINAL TWO COUPLETS.STYLISTIC ANALYSIS HELPS US BETTER UNDERSTAND THE ACTUAL REDEMPTION OF THE POET FROM HIS POSITION OF INFERIORITY, WHICH HAS FORCED THE HATED WOMANI documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
