This article explores the possibilities of an ecocritical approach to early modern literature. To this end, it first discusses some fundamental contextual factors at the intersection of cultural history, intellectual history and environmental history, which define the pre-modern concept of nature and the relationship between early modern people and nature. In a second step, an ecocritical reading of early modern literature is then put forward for discussion on the basis of two specific textual examples from around 1500. One of these is Hans Sachs’s poetic Nuremberg City Praise (1530), the other is De iudicium Jovis, a Neo-Latin prose dialogue by Paul Niavis (Schneevogel), first published in 1495. Beyond the specific stylistic and aesthetic conventions employed by both texts—which stem from their affiliation with distinct poetic and discursive traditions rooted in the vernacular Middle Ages and humanism respectively—it is above all their respective perspectives on the relationship between humanity and nature that prove to be profoundly different. Thus, the narrative discourse of Sachs’s proverbial poem consistently focuses on the city as an anthropogenic habitat founded on the use of natural resources, to which the allegorical natural setting of the forest, sketched out at the beginning, relates exclusively in a symbolic frame of reference. With regard to mining, however, Niavis’s dialogue offers a more nuanced, essentially pessimistic and critical reflection on humanity’s exploitation of nature, which also gives nature – in the form of ‘Mother Earth’ – a voice of its own, thereby countering, even if unwittingly, the rigorously anthropocentric understanding of nature prevalent at the time.

Mensch und 'Umwelt' in der Literatur der Frühen Neuzeit. Eine Annäherung.

B. Sasse
2026-01-01

Abstract

This article explores the possibilities of an ecocritical approach to early modern literature. To this end, it first discusses some fundamental contextual factors at the intersection of cultural history, intellectual history and environmental history, which define the pre-modern concept of nature and the relationship between early modern people and nature. In a second step, an ecocritical reading of early modern literature is then put forward for discussion on the basis of two specific textual examples from around 1500. One of these is Hans Sachs’s poetic Nuremberg City Praise (1530), the other is De iudicium Jovis, a Neo-Latin prose dialogue by Paul Niavis (Schneevogel), first published in 1495. Beyond the specific stylistic and aesthetic conventions employed by both texts—which stem from their affiliation with distinct poetic and discursive traditions rooted in the vernacular Middle Ages and humanism respectively—it is above all their respective perspectives on the relationship between humanity and nature that prove to be profoundly different. Thus, the narrative discourse of Sachs’s proverbial poem consistently focuses on the city as an anthropogenic habitat founded on the use of natural resources, to which the allegorical natural setting of the forest, sketched out at the beginning, relates exclusively in a symbolic frame of reference. With regard to mining, however, Niavis’s dialogue offers a more nuanced, essentially pessimistic and critical reflection on humanity’s exploitation of nature, which also gives nature – in the form of ‘Mother Earth’ – a voice of its own, thereby countering, even if unwittingly, the rigorously anthropocentric understanding of nature prevalent at the time.
2026
Der Beitrag lotet die Möglichkeiten einer ökokritischen Annäherung an die frühneuzeitliche Literatur aus. Dafür werden zunächst einige grundsätzliche Rahmenbedingungen an der Schnittstelle von Kultur bzw. Ideengeschichte und Umweltgeschichte erörtert, die den vormodernen Naturbegriff und das Verhältnis des frühneuzeitlichen Menschen zur Natur definieren. In einem zweiten Schritt wird dann anhand zweier konkreter Textbeispiele aus dem 16. Jahrhundert eine ökokritische Lesart frühneuzeitlicher Literatur zur Diskussion gestellt. Zum einen handelt es sich um das gedichtete Nürnberger Städtelob des Hans Sachs (1530), zum andern um das De iudicium Jovis, einen neulateinischen Prosadialog des Paul Niavis (Schneevogel), das 1495 zuerst im Druck erschien. Jenseits der jeweils spezifischen stilistischen und ästhetischen Konventionen, deren sich beide Texte aufgrund ihrer Zugehörigkeit zu differenten, dem volkssprachlichen Mittelalter bzw. dem Humanismus verpflichteten Dichtungs- und Diskurstraditionen bedienen, erweist sich vor allem ihre jeweilige Perspektive auf das Verhältnis von Mensch und Natur als zutiefst verschieden. So ist der narrative Diskurs von Sachs’ Spruchgedicht konsequent auf die Stadt als anthropogenen, auf der natürlichen Ressourcennutzung gegründeten Lebensraum zentriert, zu dem das eingangs entworfene allegorische Naturszenarium des Walds ausschließlich in einem symbolischen Bezugsverhältnis gerückt ist. Mit Bezug auf den Bergbau greift in Niavis’ Dialog hingegen eine differenziertere, im Kern pessimistisch-kritische Reflexion über die Ausbeutung der Natur durch den Menschen Platz, die auch der Natur, in Gestalt der ‚Mutter Erde‘, eine eigene Stimme verleiht und damit das rigoros anthropozentrische Naturverständnis der Zeit ansatzweise konterkariert.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/596320
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