The article contests Balzac’s inclusion among the so-called antimoderns. While the author of the Comédie indeed espoused anti-democratic convictions, he was at the same time markedly receptive to the technological innovations that underpinned the emerging bourgeois society. Modernity, in this perspective, is grounded less in the ideological legacy of the Revolution than in an unwavering confidence in technique. The only recognizably antimodern element ascribed to Balzac is that of the beau geste: an act of fidelity to the past, at once gratuitous and wounding for the one who enacts it.

Balzac antimoderne ?

Francesco Fiorentino
2025-01-01

Abstract

The article contests Balzac’s inclusion among the so-called antimoderns. While the author of the Comédie indeed espoused anti-democratic convictions, he was at the same time markedly receptive to the technological innovations that underpinned the emerging bourgeois society. Modernity, in this perspective, is grounded less in the ideological legacy of the Revolution than in an unwavering confidence in technique. The only recognizably antimodern element ascribed to Balzac is that of the beau geste: an act of fidelity to the past, at once gratuitous and wounding for the one who enacts it.
2025
L’article conteste l’inscription de Balzac dans la catégorie des antimodernes. Si l’auteur de la Comédie partage des idées antidémocratiques, il se montre en revanche extrêmement favorable au progrès technologique qui anime la nouvelle société bourgeoise. La notion de modernité, en effet, repose avant tout sur la confiance dans la technique, plus encore que sur les idées issues de la Révolution. Le trait antimoderne qu’on lui reconnaît néanmoins est celui du beau geste, geste de fidélité au passé, inutile et douloureux pour celui qui l’accomplit.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/559721
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