Title: "Apostle of which epoch? Additional hypotheses for interpreting the experimental poetry of the Friulian Pasolini". - The Friulian Pasolini manifested a marked degree of experimentalism in the years around 1945; the influence of Pascoli, the Symbolists, Troubadour lyricism and Spanish poetry (Antonio Machado, Juan Ramón Jiménez and Federico García Lorca) dates back to this period in particular. Such stimuli give rise in Pasolini, beginning with "Poesie" and "Hosas de lenguas romanas", to a lively interest in chromatism, the aesthetics of death, the interplay of the sonic with the visual element, as well as a focus on the timeless dimension and the retrieval of specific Pascolian topoi (such as the curls and the child mother).
Il Pasolini friulano manifesta un forte sperimentalismo negli anni intorno al 1945; a questo periodo, in particolare, risale l’influenza di Pascoli, dei simbolisti, della lirica trobadorica e della poesia spagnola (Antonio Machado, Juan Ramón Jiménez e Federico García Lorca). Da tali stimoli emergono in Pasolini, a partire da "Poesie" e "Hosas de lenguas romanas", un vivace interesse per il cromatismo, l’estetica della morte, l’intersezione dell’elemento sonoro con quello visivo, nonché l’attenzione per la dimensione atemporale e il recupero di precisi topoi pascoliani (come i ricci e la madre bambina).
Soldato a quale epoca? Altre ipotesi di lettura della poesia sperimentale del Pasolini friulano
Tuccini, G
2025-01-01
Abstract
Title: "Apostle of which epoch? Additional hypotheses for interpreting the experimental poetry of the Friulian Pasolini". - The Friulian Pasolini manifested a marked degree of experimentalism in the years around 1945; the influence of Pascoli, the Symbolists, Troubadour lyricism and Spanish poetry (Antonio Machado, Juan Ramón Jiménez and Federico García Lorca) dates back to this period in particular. Such stimuli give rise in Pasolini, beginning with "Poesie" and "Hosas de lenguas romanas", to a lively interest in chromatism, the aesthetics of death, the interplay of the sonic with the visual element, as well as a focus on the timeless dimension and the retrieval of specific Pascolian topoi (such as the curls and the child mother).I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


