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The article analyzes “Dolce”, the second part of Irène Némirovsky’s Suite française, as a nuanced and provocative depiction of occupied France. Unlike the exodus in “Tempête en juin”, “Dolce” centers on domestic space and ambivalent relationships with German soldiers. Amid collaboration, hypocrisy, and survival, the text reveals a disenchanted yet humane sense of pity, portraying a fragmented France caught between the tragic and the absurd.

Drôle de paix. Représentation de la France occupée dans “Dolce” d’Irène Némirovsky

Lussone
2025-01-01

Abstract

The article analyzes “Dolce”, the second part of Irène Némirovsky’s Suite française, as a nuanced and provocative depiction of occupied France. Unlike the exodus in “Tempête en juin”, “Dolce” centers on domestic space and ambivalent relationships with German soldiers. Amid collaboration, hypocrisy, and survival, the text reveals a disenchanted yet humane sense of pity, portraying a fragmented France caught between the tragic and the absurd.
2025
L’article analyse “Dolce”, deuxième partie de Suite française d’Irène Némirovsky, comme une représentation nuancée et polémique de la France occupée. Loin de l’exode de “Tempête en juin”, “Dolce” se concentre sur l’espace domestique et les relations ambivalentes avec les Allemands. Entre collaboration, hypocrisie et survie, le texte fait émerger une pitié désabusée mais humaine, révélant une France disloquée, partagée entre tragique et dérision.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/547640
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