It is hardly questionable the fact that, nowadays, almost any production or listening experience is mediated by an electric, electronic or digital component, that makes the electroacoustic music a constant, broad, familiar presence, more than we can imagine, but still something difficult to be reachable, definable, understandable and interpretable: «e-music’s ground is […] selectively sticky, given how it seems, on the one hand, to say that it defies definition and, on the other, to embrace so many»

About the Aesthetics of Electroacoustic Music. A Proposal

Fronzi
2015-01-01

Abstract

It is hardly questionable the fact that, nowadays, almost any production or listening experience is mediated by an electric, electronic or digital component, that makes the electroacoustic music a constant, broad, familiar presence, more than we can imagine, but still something difficult to be reachable, definable, understandable and interpretable: «e-music’s ground is […] selectively sticky, given how it seems, on the one hand, to say that it defies definition and, on the other, to embrace so many»
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/415648
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