The use of digital tools to produce, reproduce and listen to the music have revolutionized the traditional relationships between composer (or musician), performer, producer and listener. In this paper, I try to draw up the historical development of digitalization of the three phases that articulate the music experience (production, reproduction, listening) today, with some considerations about the aesthetic implications related to these processes.
Digital music. Storia e implicazioni teoriche
Fronzi
2018-01-01
Abstract
The use of digital tools to produce, reproduce and listen to the music have revolutionized the traditional relationships between composer (or musician), performer, producer and listener. In this paper, I try to draw up the historical development of digitalization of the three phases that articulate the music experience (production, reproduction, listening) today, with some considerations about the aesthetic implications related to these processes.File in questo prodotto:
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