This essay focuses on the analysis of the performative interpretation and representation of sanctity by Achille Lauro from the beginnings of his career as singer until 2021, by considering its transgressive and gender-fluid aspects as well as its controversies, which revived some topics of the ancient Christian anti-theatrical polemic against the mime and the pantomime
Il presente saggio è incentrato sull’analisi dell’interpretazione performativa e della rappresentazione della santità da parte del cantante Achille Lauro dagli esordi fino al 2021, considerandone gli aspetti trasgressivi e gender fluid e le relative polemiche, che hanno riproposto alcuni temi dell’antica polemica anti-teatrale cristiana contro il mimo e la pantomima.
La "santità" secondo Achille Lauro tra TV e web
Mario Resta
Writing – Original Draft Preparation
2022-01-01
Abstract
This essay focuses on the analysis of the performative interpretation and representation of sanctity by Achille Lauro from the beginnings of his career as singer until 2021, by considering its transgressive and gender-fluid aspects as well as its controversies, which revived some topics of the ancient Christian anti-theatrical polemic against the mime and the pantomimeI documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.