“I festival cinematografici come campo di studio. Metodi, teorie e pratiche” is an anthology which includes and, for the first time, translates in Italian the most relevant contributions in Film Festival Studies. The volume is aimed at offering a rigorous, analytical assessment of the festival scene, at a time when festivals have become an increasingly vital component of film culture. In this regard, this anthology will be of enormous use to both students in Italian universities as well as to professionals. The volume will be used in Italian universities for undergraduate and master level courses dedicated to the study of film festivals, their histories and economies. Further, this anthology will be of great interest to festival organizers and film practitioners.
I festival cinematografici come campo di studio. Metodi, teorie e pratiche
Federico Zecca;
In corso di stampa
Abstract
“I festival cinematografici come campo di studio. Metodi, teorie e pratiche” is an anthology which includes and, for the first time, translates in Italian the most relevant contributions in Film Festival Studies. The volume is aimed at offering a rigorous, analytical assessment of the festival scene, at a time when festivals have become an increasingly vital component of film culture. In this regard, this anthology will be of enormous use to both students in Italian universities as well as to professionals. The volume will be used in Italian universities for undergraduate and master level courses dedicated to the study of film festivals, their histories and economies. Further, this anthology will be of great interest to festival organizers and film practitioners.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
