This expression refers to a branch of the aesthetics of music which deepens musical thinking on electroacoustic music and the conceptual frameworks in which it can be located. Electroacoustic music, not least from an aesthetic point of view, has been studied above all by composers and much less by philosophers. For this reason, the label “aesthetics of electroacoustic music” has often been used not in reference to a specific theoretical context (subjective genitive) but rather in reference to the aesthetic qualities and the poetics of a work of electroacoustic music (objective genitive).
Aesthetics of Electroacoustic Music
Fronzi Giacomo
2018-01-01
Abstract
This expression refers to a branch of the aesthetics of music which deepens musical thinking on electroacoustic music and the conceptual frameworks in which it can be located. Electroacoustic music, not least from an aesthetic point of view, has been studied above all by composers and much less by philosophers. For this reason, the label “aesthetics of electroacoustic music” has often been used not in reference to a specific theoretical context (subjective genitive) but rather in reference to the aesthetic qualities and the poetics of a work of electroacoustic music (objective genitive).File in questo prodotto:
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