The influence of the Italian sources on Pierre Boaistuau’s production goes far beyond the recongnized filiation between Bandello’s Novelle and his own Histoires Tragiques. The main features of Bandello’s production (brevity, specific lexical choices, and such stylistic features and rhetorical devices as suspense, echoes and internal repetitions) are discernible within a much wider and well known Italian tradition in vernacular, tht also spread abroad, and detes back to Poggio’s Facezie. The influence of the Italian sources on Boaistuau’s Histories tragiques deserves further inquiries and investigation.

Pierre Boaistuau et Poggio Bracciolini. Écriture et canon italien

Cavallini, Concetta
2021-01-01

Abstract

The influence of the Italian sources on Pierre Boaistuau’s production goes far beyond the recongnized filiation between Bandello’s Novelle and his own Histoires Tragiques. The main features of Bandello’s production (brevity, specific lexical choices, and such stylistic features and rhetorical devices as suspense, echoes and internal repetitions) are discernible within a much wider and well known Italian tradition in vernacular, tht also spread abroad, and detes back to Poggio’s Facezie. The influence of the Italian sources on Boaistuau’s Histories tragiques deserves further inquiries and investigation.
2021
978-2-406-10922-8
Le canon italien de Pierre Boaistuau est très vaste et va bien au-delà de la directe ascendance entre les Histoires tragiques et les Novelle de Bandello. Les préceptes suivis par Bandello, (brièveté, choix du lexique, effets rhtoriques de pointe, de suspens, de rappels intérieurs, etc.) s’insèrent dans une tradition en langue vulgaire bien affirmée en Italie, une tradition qu’on peut faire remonter aux Facéties du Pogge et qui s’imposa aussi à l’étranger. Pour les Histoires tragiques de Boaistuau l’apport des sources italiennes aurait besoin d’être approfondi.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/379702
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