Writing Maylis Kerangal approach feelings, first of all that of "feeling alive" in tune with reality. Feelings are caught in the vortex of life and seem to be an "external" experience. Seeking to identify the subjective impasses of today's society, writing Maylis Kerangal fast, punctuated by commas, with the effects of shock, together in one real movement and fiction to tell the world. The reality that emerges is a real "created" the real fiction, as part of a text being written, which runs through this with a clear look at the complexity of feelings and human relationships. Thus, writing is the place of observation and discussion of the act of writing, as well as a tool for reflection on some features of the prose of contemporary extreme.
L'écriture-monde: M. de Kerangal
GRAMIGNA, VALERIA
2014-01-01
Abstract
Writing Maylis Kerangal approach feelings, first of all that of "feeling alive" in tune with reality. Feelings are caught in the vortex of life and seem to be an "external" experience. Seeking to identify the subjective impasses of today's society, writing Maylis Kerangal fast, punctuated by commas, with the effects of shock, together in one real movement and fiction to tell the world. The reality that emerges is a real "created" the real fiction, as part of a text being written, which runs through this with a clear look at the complexity of feelings and human relationships. Thus, writing is the place of observation and discussion of the act of writing, as well as a tool for reflection on some features of the prose of contemporary extreme.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
