In both posthumous novels of Michèle Desbordes - The way (Verdier, 2006) and Small land (Verdier, 2008) - and in the last world (Denoël, 2007) Céline Minard, the notion of end is through strategies as mille-feuilles or the breath that question some controversial aspects of the French production of contemporary extreme. Faced with the momentum toward limitlessness and brake insecurity, why and how this concern he needed in the imagination of these two writers in particular? The taste of incompleteness and exhaustion and taste is the limit for questioning the survival and renewal forms scriptural decline between subjective and apocalyptic impact.
Le goût de la fin: de Michèle Desbordes à Céline Minard
TERMITE, MARINELLA
2014-01-01
Abstract
In both posthumous novels of Michèle Desbordes - The way (Verdier, 2006) and Small land (Verdier, 2008) - and in the last world (Denoël, 2007) Céline Minard, the notion of end is through strategies as mille-feuilles or the breath that question some controversial aspects of the French production of contemporary extreme. Faced with the momentum toward limitlessness and brake insecurity, why and how this concern he needed in the imagination of these two writers in particular? The taste of incompleteness and exhaustion and taste is the limit for questioning the survival and renewal forms scriptural decline between subjective and apocalyptic impact.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
