Photography deceived the nineteenth century scientists on the possibility of “objectively” catching the scientific objects. G. B. Duchenne and J.-M. Charcot made this attempt, respectively for the emotions and the neuroses, with the sole result of obtaining a theatrical staging of the passions themselves.

THE “STAGING” OF PASSIONS BY DUCHENNE DE BOULOGNE (1806-1875) AND JEAN MARTIN CHARCOT (1825-1893)

Dibattista L.
2019-01-01

Abstract

Photography deceived the nineteenth century scientists on the possibility of “objectively” catching the scientific objects. G. B. Duchenne and J.-M. Charcot made this attempt, respectively for the emotions and the neuroses, with the sole result of obtaining a theatrical staging of the passions themselves.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/230588
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