For Radu Stanca, Mihai Eminescu’s work has represented not only a model, but it has had also a « catalytic » and intermediary function, allowing him to approach romantic spirituality. In this study, we focus on eminescian intertextualities in Radu Stanca’s poetry, dwelling upon two poems: « Luceafăr 1962 » and « Liliacul ». Through our analyses, we have demonstrated that if « Luceafăr 1962 » can be considered as the « euphorionist » rewriting of Luceafărul, the retrospective dark reveries haunting « Liliacul », embody a modernization (and even a demythization) of the archetypic and symbolic scheme on which was founded « Strigoii ».
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