There has been much debate in recent years over ‘school declamations’ and ‘show declamations’, and a tendency to draw sharp boundaries between the two. Since the pseudo-quintilianic Major Declamations have played a prominent rôle in this debate, it is worth focusing on an aspect that has hitherto remained largely unnoticed: the repeated presence, throughout these fully-developed speeches, of self-conscious allusions to didactic conventions and technico-rhetorical issues clearly pointing to a school milieu. Scrutinizing these ‘metarhetorical’ hints contributes to a fairer assessment of the relationship between ‘school’ and ‘show’ declamations; and may shed some light on the disputed chronology and authorship of the Maiores.

Il maestro nascosto. Elementi ‘metaretorici’ nelle Declamazioni maggiori pseudo-quintilianee

Antonio Stramaglia
2016-01-01

Abstract

There has been much debate in recent years over ‘school declamations’ and ‘show declamations’, and a tendency to draw sharp boundaries between the two. Since the pseudo-quintilianic Major Declamations have played a prominent rôle in this debate, it is worth focusing on an aspect that has hitherto remained largely unnoticed: the repeated presence, throughout these fully-developed speeches, of self-conscious allusions to didactic conventions and technico-rhetorical issues clearly pointing to a school milieu. Scrutinizing these ‘metarhetorical’ hints contributes to a fairer assessment of the relationship between ‘school’ and ‘show’ declamations; and may shed some light on the disputed chronology and authorship of the Maiores.
2016
9782356680594
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/211799
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