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EnglishThis essay, starting from a Prologue of a comedy composed in 1605 in a dialogic shape by Flaminio Scala, the director of the Compagnia dei Confidenti, lingers over two Galilei’s theatrical scenarios, the first one dating back to the Pisa-period, before 1592, and the second one to the years of the paduan stay (1592-1610), showing a Galilei committed with mathematical speculations but also jovially opened to the literary clubs heirs of Ruzzante and promoters of a literature conceived as life style, as ultimate inclination towards reality and nature. ‘Inventions of fantasy’ and ‘geometrical severity’ meet theirselves into Galilei’s “scientifical-poetical imagination”, approaching the experimentalism of the new theatrical form of the ‘commedia all’improvviso’ in a ‘divertissement’ shaped attitude, but also inspiring, in those joyful years of the ‘Patavina libertas’, a tasty dialogue in pavan language (written by any chance by the benedictine and scholar Girolamo Spinelli); a dialogue that, between rustic expressions and tributes to Ruzzante, openings to daily idioms, to the living and common things language, shows the subversive and burlesque opposition of the lettered-scientist standing for a new philosophy of nature against the linguistic and mental dogmatism of aristotelicians.
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| Titolo: | Canovacci teatrali nel primo Galilei e collaborazioni 'esterne' | |
| Autori: | ||
| Data di pubblicazione: | 2006 | |
| Abstract: | This essay, starting from a Prologue of a comedy composed in 1605 in a dialogic shape by Flaminio Scala, the director of the Compagnia dei Confidenti, lingers over two Galilei’s theatrical scenarios, the first one dating back to the Pisa-period, before 1592, and the second one to the years of the paduan stay (1592-1610), showing a Galilei committed with mathematical speculations but also jovially opened to the literary clubs heirs of Ruzzante and promoters of a literature conceived as life style, as ultimate inclination towards reality and nature. ‘Inventions of fantasy’ and ‘geometrical severity’ meet theirselves into Galilei’s “scientifical-poetical imagination”, approaching the experimentalism of the new theatrical form of the ‘commedia all’improvviso’ in a ‘divertissement’ shaped attitude, but also inspiring, in those joyful years of the ‘Patavina libertas’, a tasty dialogue in pavan language (written by any chance by the benedictine and scholar Girolamo Spinelli); a dialogue that, between rustic expressions and tributes to Ruzzante, openings to daily idioms, to the living and common things language, shows the subversive and burlesque opposition of the lettered-scientist standing for a new philosophy of nature against the linguistic and mental dogmatism of aristotelicians. | |
| Handle: | http://hdl.handle.net/11586/21095 | |
| ISBN: | 88-8234-340-5 | |
| Appare nelle tipologie: | 2.1 Contributo in volume (Capitolo o Saggio) |
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