H. Solin and P. Tuomisto, in the volume Le iscrizioni urbane di Anagni, Rome 1996, describe the epigraph no. 98 as: Noah’s ark, on the left Noah holding the hand of his wife. Into the Ark, at the right of Noah, ax and tongs. Behind, garlands. The image, indeed, does not reflect the noetic iconography, but it seems a lively figuration of a shop, the type of which is not clear. If we exclude a food shop, the decor of the counter and the object in the man’s hand may indicate a nummularius, even if the forceps and the malleus to the right would lean more to an anularius or an aurifex. This iconographical interpretation, not otherwise attested and of remarkable interest, would also better explain the presence of garlands, the hole at the center of the traded object and the female buyer.

La bottega di Noè. Una scena di vendita su una lastra di Anagni, Sala delle lapidi, monastero delle suore Cistercensi della Carità (Solin 1996 n. 98)

AVELLIS, LUCA
2016-01-01

Abstract

H. Solin and P. Tuomisto, in the volume Le iscrizioni urbane di Anagni, Rome 1996, describe the epigraph no. 98 as: Noah’s ark, on the left Noah holding the hand of his wife. Into the Ark, at the right of Noah, ax and tongs. Behind, garlands. The image, indeed, does not reflect the noetic iconography, but it seems a lively figuration of a shop, the type of which is not clear. If we exclude a food shop, the decor of the counter and the object in the man’s hand may indicate a nummularius, even if the forceps and the malleus to the right would lean more to an anularius or an aurifex. This iconographical interpretation, not otherwise attested and of remarkable interest, would also better explain the presence of garlands, the hole at the center of the traded object and the female buyer.
2016
Dans le volume de H. Solin et P. Tuomisto, Le iscrizioni urbane di Anagni, Rome 1996, l’épigraphe n° 98 est décrit comme: l’arche de Noé, tenant la main de sa femme à gauche. Dans l’arche, à droite de Noé, hache et pinces. Derrière, des guirlandes. L’image ne reflète pas l’iconographie noétique, mais elle ressemble à une représentation animée de la vie quotidienne dans l’atelier d’un artisan. Il est difficile savoir de quel type d’atelier il s’agit. Si l’on exclut qu’il s’agit d’une épicerie, les décorations du comptoir et l’objet que l’homme a en main pourraient laisser penser que la scène a lieu dans un nummularius, même si la pince et le marteau à droite nous font plutôt pencher pour un anularius ou un aurifex. Cette dernière iconographie, d’un grand intérêt, mais qui n’est attestée qu’ici, expliquerait plus facilement la présence de guirlandes, en particulier la guirlande à losanges qui pourrait être interprétée comme une chaîne, le trou au centre de l’objet d’échange et la femme qui l’achète.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/200419
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