The question of identity through numerous novels of the “Extreme contemporain”, highlighting the gradual passage from annihilation of data concerning the subject to the acquisition of connotations that fill this void with the absorption of the problematic forms of an appearance with fragile contours. Through examples from different novels that question the problem of the roots (H. Aggoune, Bertina A., C. Boulouque, M. Weitzmann), this article aims to extract some aspects of writing of the identity where the mutation of this last is not inside. In particular, it is the case of those who favor the continuous transformation of the subject within a single novel and its visualization fictional, taking of disturbances of enunciation (pronominal and authorial games) and broken by means of the event using some mechanisms of appropriation (the photos as part of the report rather than representation), of deviation (changes of styles and genres) or of invention of the real (external origins and subsidiaries). What kind of writing comes, then, from these roots outside "uprooted"?

Racines troublées dans l'extrême contemporain

TERMITE, MARINELLA
2006

Abstract

The question of identity through numerous novels of the “Extreme contemporain”, highlighting the gradual passage from annihilation of data concerning the subject to the acquisition of connotations that fill this void with the absorption of the problematic forms of an appearance with fragile contours. Through examples from different novels that question the problem of the roots (H. Aggoune, Bertina A., C. Boulouque, M. Weitzmann), this article aims to extract some aspects of writing of the identity where the mutation of this last is not inside. In particular, it is the case of those who favor the continuous transformation of the subject within a single novel and its visualization fictional, taking of disturbances of enunciation (pronominal and authorial games) and broken by means of the event using some mechanisms of appropriation (the photos as part of the report rather than representation), of deviation (changes of styles and genres) or of invention of the real (external origins and subsidiaries). What kind of writing comes, then, from these roots outside "uprooted"?
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/19918
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