Geczy and Karaminas single out the imagery, in its literal meaning of corpus of images feeding people and society. This imagery is actually a ‘double’ for fashion, which is not the copy of a so called master, but fashion itself as perpetual and actual presence of duplicity. Looking into painting, drawing, photography, cinema, new media, and music videos the authors convey an excellent research not only on fashion as visual culture, but also on how fashion highlights the cognitive and social roles of representation and imagination.
Fashion’s Double. Representations of Fashion in Painting, Photography and Film, Adam Geczy, Vicky Karaminas
CALEFATO, Patrizia
2017-01-01
Abstract
Geczy and Karaminas single out the imagery, in its literal meaning of corpus of images feeding people and society. This imagery is actually a ‘double’ for fashion, which is not the copy of a so called master, but fashion itself as perpetual and actual presence of duplicity. Looking into painting, drawing, photography, cinema, new media, and music videos the authors convey an excellent research not only on fashion as visual culture, but also on how fashion highlights the cognitive and social roles of representation and imagination.File in questo prodotto:
| File | Dimensione | Formato | |
|---|---|---|---|
|
Fashion's Double.pdf
non disponibili
Tipologia:
Documento in Post-print
Licenza:
NON PUBBLICO - Accesso privato/ristretto
Dimensione
1.01 MB
Formato
Adobe PDF
|
1.01 MB | Adobe PDF | Visualizza/Apri Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
