The subject fills the inform space of the vacuum and furnish the perception of lacking through attempts which impose to the visualization the duty to represent everything that is not representable. This paradox that make objective the contradictions of the real involves, in the production of today’s women writer, the notion of "fantastic" as evocation of impossible or exceptional, pushing to the extreme the "fiction" through mobility of the autority function and looking for situation as unusual as limit - such as birth or death - where settle disorders and broken. How, then, do objects help to dig and transgress the laws of the story? How they push the limits of the images they embody and they recreate the shadows of writing as a realm of uncertainty? From novels of some extreme contemporary authors (M. Darrieussecq, J. Benameur, Desarthes A., A. Ferney, V. Ovaldé, A. Godard ...), this article aims to identify these boundary objects-element, to thwart their role in continuous metamorphosis boundaries of "real", to deepen the effects of their presence in women's writing today by entering their specificity in individual creative choices using also confrontation between different writing practices, such as for children.
Métamorphose des objets
TERMITE, MARINELLA
2009-01-01
Abstract
The subject fills the inform space of the vacuum and furnish the perception of lacking through attempts which impose to the visualization the duty to represent everything that is not representable. This paradox that make objective the contradictions of the real involves, in the production of today’s women writer, the notion of "fantastic" as evocation of impossible or exceptional, pushing to the extreme the "fiction" through mobility of the autority function and looking for situation as unusual as limit - such as birth or death - where settle disorders and broken. How, then, do objects help to dig and transgress the laws of the story? How they push the limits of the images they embody and they recreate the shadows of writing as a realm of uncertainty? From novels of some extreme contemporary authors (M. Darrieussecq, J. Benameur, Desarthes A., A. Ferney, V. Ovaldé, A. Godard ...), this article aims to identify these boundary objects-element, to thwart their role in continuous metamorphosis boundaries of "real", to deepen the effects of their presence in women's writing today by entering their specificity in individual creative choices using also confrontation between different writing practices, such as for children.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
