Carefully examining the theme of the carnival and of the mask in Verga’s narrative, the critical essay intends to bring out the alienat- ed and upset nature that the urban modernity takes on in the artistic representation of the writer, the instincts of death and self-destruc- tion that pass through it at his sight. The analysis of the novel Lib- ertà, which the essay proposes an original interpretation, is essential for this purpose.
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Titolo: | La maschera e il corpo. Emblemi del moderno nella novellistica verghiana |
Autori: | |
Data di pubblicazione: | 2014 |
Rivista: | |
Abstract: | Carefully examining the theme of the carnival and of the mask in Verga’s narrative, the critical essay intends to bring out the alienat- ed and upset nature that the urban modernity takes on in the artistic representation of the writer, the instincts of death and self-destruc- tion that pass through it at his sight. The analysis of the novel Lib- ertà, which the essay proposes an original interpretation, is essential for this purpose. |
Handle: | http://hdl.handle.net/11586/139711 |
Appare nelle tipologie: | 1.1 Articolo in rivista |
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