A study of the original painting layer of the “Piet `a” of Barletta, a polychrome statue, important example of Renaissance Apulian sculpture, was performed by Raman spectroscopy. Vermilion was identified in the original layer of the blood drops on Jesus knee. Lazurite was identified as the original blue pigment on Our Lady’s veil and lace, currently a yellow ochre-like color. The use of lazurite demonstrates the historical-artistic importance of this polychrome statue, and supports the hypothesis that this artwork was probably commissioned by Our Lady’s devotees to itinerant artists inspired by the more precious Vesperbilder model. © 2006 Elsevier B.V. All rights reserved.

Pigment of identification on "Pietà" of Barletta, example of Renaissance Apulian sculpture: A Raman microscopy study

MONNO, Alessandro
2006

Abstract

A study of the original painting layer of the “Piet `a” of Barletta, a polychrome statue, important example of Renaissance Apulian sculpture, was performed by Raman spectroscopy. Vermilion was identified in the original layer of the blood drops on Jesus knee. Lazurite was identified as the original blue pigment on Our Lady’s veil and lace, currently a yellow ochre-like color. The use of lazurite demonstrates the historical-artistic importance of this polychrome statue, and supports the hypothesis that this artwork was probably commissioned by Our Lady’s devotees to itinerant artists inspired by the more precious Vesperbilder model. © 2006 Elsevier B.V. All rights reserved.
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11586/101558
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus 8
  • ???jsp.display-item.citation.isi??? 9
social impact