Returning to the source text helps reactivate the reading-writing circuit by weaving backward links between eras and cultures. But, if the literary nature of this choice lies in managing and reworking the temporal and spatial frontiers that words can establish concerning the ontological tensions of the creator, the guarantee of the uniqueness of the generated work is thus called into question. Why and how to rewrite a first text then? This gamble becomes increasingly problematic when the original work appears only through the sleeping form, that is, an underground structure capable of emerging intermittently to avoid the drifts of the narrative. The analysis of this device in Boualem Sansal questions the strategies of history rewriting to update it without falling into ideological traps.

L’œuvre dormante dans les réécritures de Boualem Sansal

Termite Marinella
2021-01-01

Abstract

Returning to the source text helps reactivate the reading-writing circuit by weaving backward links between eras and cultures. But, if the literary nature of this choice lies in managing and reworking the temporal and spatial frontiers that words can establish concerning the ontological tensions of the creator, the guarantee of the uniqueness of the generated work is thus called into question. Why and how to rewrite a first text then? This gamble becomes increasingly problematic when the original work appears only through the sleeping form, that is, an underground structure capable of emerging intermittently to avoid the drifts of the narrative. The analysis of this device in Boualem Sansal questions the strategies of history rewriting to update it without falling into ideological traps.
2021
Revenir au texte-source contribue à réactiver le circuit lecture-écriture en tissant des liens à rebours entre les époques et les cultures. Mais, si la littérarité de ce choix réside dans la manière de manier et remanier les frontières temporelles et spatiales que les mots peuvent établir par rapport aux tensions ontologiques du sujet créateur, la garantie de l’unicité de l’œuvre engendrée est ainsi remise en question. Pourquoi et comment réécrire alors un texte premier ? Ce pari devient de plus en plus problématique lorsque l’œuvre originaire n’apparaît qu’à travers sa forme dormante, à savoir une structure souterraine capable d’émerger par clignotants pour éviter les dérapages de la narration. L’analyse de ce dispositif chez Boualem Sansal interroge les stratégies de la réécriture de l’Histoire pour l’actualiser sans tomber dans les pièges idéologiques.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/388731
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