The artistic site opened by the cave of the Fritzl affair tests the resources and scriptural limits of the living. Through the analysis of the stakes of a "chameleon writing", notably in Claustria by Régis Jauffret, this study aims to question the complexity of the relations that the media maintains with the various facts and their literary effects by taking into account the problematic status of the "bio" network involved (from the mineral condition to the animal condition in particular).

Une affaire de sous-sol: l’écriture caméléon dans Claustria de Régis Jauffret

TERMITE
2018-01-01

Abstract

The artistic site opened by the cave of the Fritzl affair tests the resources and scriptural limits of the living. Through the analysis of the stakes of a "chameleon writing", notably in Claustria by Régis Jauffret, this study aims to question the complexity of the relations that the media maintains with the various facts and their literary effects by taking into account the problematic status of the "bio" network involved (from the mineral condition to the animal condition in particular).
2018
Le chantier artistique ouvert par la cave de l’affaire Fritzl met à l’épreuve les ressources et les limites scripturales du vivant. À travers l’analyse des enjeux d’une « écriture caméléon », notamment dans Claustria de Régis Jauffret, cette étude vise à interroger la complexité des relations que les médias entretiennent avec les faits divers et leurs effets littéraires en tenant compte du statut problématique du réseau « bio » impliqué (de la condition minérale à la condition animale en particulier).
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11586/224531
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