Comparing Extrême contemporain’s novels that have the father figure, as real as functional, this article aims to track down the mechanisms of writing of the subsidiary in the current practices, especially in the choices of Marie Nimier. The investigation and reflection over the writing accompany the analysis of ellipses; these are scattered throughout the text as a gradual awareness of a limit to be explored and rejected in the name of a chain of witnesses entirely outside the relationship between father and daughter designed in La Reine du Silence. This aspect tends to make explicit the difficulty of managing the father figure, revealing the technique of "glove" that seems to play a space defined a priori and seemingly encoded, but that, basically, don’t dress the write. The need to create empty sockets, the need to play with dissociates develop forms of overturning able to question the approach of identity and to challenge all genealogical size a particularly worry in French today’s prose, as evidenced, among other things, Eau sauvage by Valérie Mréjen, Le Cri du Sablier by Chloé Delaume and Mon père by Eliette Abecassis.
Le père ou le gant de l'écriture
TERMITE, MARINELLA
2006-01-01
Abstract
Comparing Extrême contemporain’s novels that have the father figure, as real as functional, this article aims to track down the mechanisms of writing of the subsidiary in the current practices, especially in the choices of Marie Nimier. The investigation and reflection over the writing accompany the analysis of ellipses; these are scattered throughout the text as a gradual awareness of a limit to be explored and rejected in the name of a chain of witnesses entirely outside the relationship between father and daughter designed in La Reine du Silence. This aspect tends to make explicit the difficulty of managing the father figure, revealing the technique of "glove" that seems to play a space defined a priori and seemingly encoded, but that, basically, don’t dress the write. The need to create empty sockets, the need to play with dissociates develop forms of overturning able to question the approach of identity and to challenge all genealogical size a particularly worry in French today’s prose, as evidenced, among other things, Eau sauvage by Valérie Mréjen, Le Cri du Sablier by Chloé Delaume and Mon père by Eliette Abecassis.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
